Aulia, Alfia Nur (2024) ANALISIS WACANA SARA MILLS TENTANG PATRIARKI DI ERA PASCA KEMERDEKAAN DALAM FILM BEFORE, NOW AND THEN (NANA) KARYA KAMILA ANDINI. Undergraduate thesis, UPN Veteran Jawa Timur.
![[img]](https://repository.upnjatim.ac.id/style/images/fileicons/text.png) |
Text (COVER)
19043010052_Cover.pdf Download (1MB) |
|
Text (BAB 1)
20043010196.-bab1.pdf Download (253kB) |
|
Text (BAB 2)
20043010196.-bab2.pdf Restricted to Repository staff only until 17 May 2027. Download (329kB) | Request a copy |
|
Text (BAB 3)
20043010196.-bab3.pdf Restricted to Repository staff only until 17 May 2027. Download (269kB) | Request a copy |
|
Text (BAB 4)
20043010196.-bab4.pdf Restricted to Repository staff only until 17 May 2027. Download (921kB) | Request a copy |
|
Text (BAB 5)
20043010196.-bab5.pdf Download (121kB) |
|
Text (DAFTAR PUSTAKA)
20043010196.-daftarpustaka.pdf Download (196kB) |
|
Text (LAMPIRAN)
20043010196.-lampiran.pdf Restricted to Repository staff only until 17 May 2027. Download (515kB) | Request a copy |
Abstract
Penelitian ini bertujuan melihat bagaimana wacana patriarki dalam film "Before, Now and Then" karya Kamila Andini. Film merupakan konstruksi subjektif yang diproduksi oleh para sineas melalui ide dan pemikiran yang ditampilkan dalam film melalui simbol dan teks. Subjektivitas dalam film mampu di objektifikasi melalui analisis wacana, hal tersebut dilakukan guna mengetahui lebih dalam konteks yang tersampaikan melalui teks. Hingga saat ini, budaya patriarki terus melegalkan dominasi laki-laki atas perempuan dalam kehidupan sehari-hari. Budaya patriarki merupakan salah satu bentuk wacana yang dapat kita temui pada film. “Before, Now and Then” merupakan karya sineas yang dicipta oleh salah satu sutradara perempuan Indonesia yang terkenal dengan karya auteurnya, Kamila Andini. Peneliti melakukan analisis lebih lanjut untuk mengetahui wacana patriarki yang terdapat pada film tersebut dengan mengetahui bagaimana posisi subjek-objek dan juga posisi penonton dalam teks. Dengan menggunakan metode kualitatif deskriptif dan berpegang pada paradigma kritis, peneliti melakukan analisis menggunakan teknik analisis wacana milik Sara Mills, ahli bidang komunikasi yang juga aktif dalam ranah feminis. Peneliti menemukan bahwa posisi subjek merupakan Hj Hobsah dan perkumpulannya serta suami Nana sebagai yang mempengaruhi tumbuhnya budaya patriarki terhadap Nana sebagai tokoh utama yang menjadi objek patriarki. Posisi penonton dalam film berada pada sudut pandang seorang perempuan yang mengalami berbagai gejolak batin untuk dapat membebaskan kehendak dirinya, yakni Sang tokoh utama, Nana. Dalam melakukan serangkaian proses penelitian, peneliti menemukan wacana menarik mengenai pembebasan perempuan dalam belenggu patriarki. Kata Kunci : Wacana, Patriarki, Film “Before, Now and Then (Nana)” This research aims to see the patriarchal discourse in the film "Before, Now and Then" by Kamila Andini. Films are subjective constructions filmmakers produce through ideas and thoughts displayed in films through symbols and text. Subjectivity in cinema can be objectified through discourse analysis; this is done to find out more about the context conveyed through the text. Until now, patriarchal culture continues to legalize men's domination over women in everyday life. A patriarchal culture is a form of discourse that we can find in films. "Before, Now and Then" is an artistic work created by one of the Indonesian female directors famous for her auteur works, Kamila Andini. The researcher carried out further analysis to find out the patriarchal discourse contained in the film by knowing the subject-object position and also the audience's position in the text. Using descriptive qualitative methods and adhering to a critical paradigm, the author carries out analysis using discourse analysis techniques belonging to Sara Mills, an expert in the field of communication who is also active in the feminist realm. The researcher found that the subject position was Hj Hobsah and his association as well as Nana's husband as influencing the growth of patriarchal culture towards Nana as the main figure who was the object of patriarchy. The audience's position in the film is from the perspective of a woman who experiences various inner turmoil to free her will, namely the main character, Nana. In conducting a series of research processes, researchers found interesting discourse regarding women's liberation from the shackles of patriarchy. Keywords: Discourse, Patriarchy, Film "Before, Now and Then (Nana)"
| Item Type: | Thesis (Undergraduate) | ||||||||
|---|---|---|---|---|---|---|---|---|---|
| Contributors: |
|
||||||||
| Subjects: | H Social Sciences > HQ The family. Marriage. Woman | ||||||||
| Divisions: | Faculty of Social and Political Sciences > Departement of Communication | ||||||||
| Depositing User: | Alfia Nur Aulia | ||||||||
| Date Deposited: | 17 May 2024 03:44 | ||||||||
| Last Modified: | 17 May 2024 03:44 | ||||||||
| URI: | https://repository.upnjatim.ac.id/id/eprint/22783 |
Actions (login required)
 |
View Item |