Music Hardcore Sebagai Media kritik Sosial dan Resistensi (Studi Etnografi Pada Komunitas Musik Surabaya Hardcore SBHC)

Pradana, Jimmy Putra (2025) Music Hardcore Sebagai Media kritik Sosial dan Resistensi (Studi Etnografi Pada Komunitas Musik Surabaya Hardcore SBHC). Undergraduate thesis, UPN Veteran Jawa Timur.

	Text (Cover) 21043010050-COVER.pdf Download (2MB)
	Text (Bab 1) 21043010050-BAB 1.pdf Download (419kB)
	Text (Bab 2) 21043010050-BAB 2.pdf Restricted to Repository staff only until 21 July 2027. Download (388kB)
	Text (Bab 3) 21043010050-BAB 3.pdf Restricted to Repository staff only until 21 July 2027. Download (51kB)
	Text (Bab 4) 21043010050-BAB 4.pdf Restricted to Repository staff only until 21 July 2027. Download (1MB)
	Text (Bab 5) 21043010050-BAB 5.pdf Download (18kB)
	Text (Daftar pustaka) 21043010050-DAFTAR PUSTAKA.pdf Download (145kB)
	Text (Lampiran) 21043010050-Lampiran.pdf Restricted to Repository staff only until 21 July 2027. Download (1MB)

Abstract

This study aims to explore how Hardcore music is utilized by the Surabaya Hardcore (SBHC) community as a medium for social critique and a form of resistance against various forms of domination, whether from the state, institutions, or mainstream culture. As a subculture, Hardcore music has evolved not merely as a musical expression but also as a symbolic tool to challenge oppressive dominant values. Employing a qualitative approach with ethnographic methods including in depth interviews, participant observation, and focus group discussions this research investigates the cultural practices, symbolic meanings, and social dynamics within the SBHC community. The findings reveal that Hardcore music plays a central role in shaping the collective identity of the community and serves as a channel for conveying socio-political messages. Lyrics addressing issues such as social injustice, oppression, poverty, and critiques of capitalism function as a means to voice social unrest and foster collective awareness. Furthermore, the SBHC community demonstrates a high level of solidarity through various social and collaborative activities, using music as a tool to strengthen social ties and expand networks of resistance. In this context, music is viewed not just as entertainment, but as a powerful medium of cultural communication to express resistance, advocate for alternative values, and challenge the hegemony of popular culture. This study highlights how Hardcore as a subcultural movement serves as an important articulatory space for expressing freedom and pursuing social justice. Keywords: Hardcore Music, Social Critique, Resistance, SBHC Community, Ethnography, Subculture

Item Type:	Thesis (Undergraduate)
Contributors:	Contribution Contributors NIDN/NIDK Email UNSPECIFIED Tutiasri, Ririn Puspita NIDN0011048901 ririn_puspita.ilkom@upnjatim.ac.id
Subjects:	M Music and Books on Music > MT Musical instruction and study
Depositing User:	Jimmy Putra Pradana
Date Deposited:	21 Jul 2025 07:51
Last Modified:	21 Jul 2025 07:51
URI:	https://repository.upnjatim.ac.id/id/eprint/40338

Actions (login required)

View Item