Representasi Solidaritas Dalam Film Pertaruhan (Analisis Semiotika Roland Barthes)

Rizaldi, Muhammad Zein Arya (2026) Representasi Solidaritas Dalam Film Pertaruhan (Analisis Semiotika Roland Barthes). Undergraduate thesis, UPN Veteran Jawa Timur.

[img] Text (Cover)
22043010354-cover.pdf.pdf

Download (923kB)
[img] Text (Bab 1)
22043010354-bab1.pdf.pdf

Download (230kB)
[img] Text (Bab 2)
22043010354-bab2.pdf.pdf
Restricted to Repository staff only until 29 August 2029.

Download (280kB)
[img] Text (Bab 3)
22043010354-bab3.pdf.pdf
Restricted to Repository staff only until 29 August 2029.

Download (1MB)
[img] Text (Bab 4)
22043010354-bab4.pdf.pdf
Restricted to Repository staff only until 29 August 2029.

Download (1MB)
[img] Text (Bab 5)
22043010354-bab5.pdf.pdf

Download (189kB)
[img] Text (Daftar Pustaka)
22043010354-daftarpustaka.pdf.pdf

Download (166kB)
[img] Text (Lampiran)
22043010354-lampiran.pdf.pdf
Restricted to Repository staff only until 2029.

Download (205kB)

Abstract

As a medium of mass communication, film serves not only as entertainment but also as a reflection of social values evolving within society. One frequently portrayed value is fraternal solidarity. The film Pertaruhan by Krishto Damar Alam chronicles the struggles of four siblings facing various life conflicts in their effort to fund their father's medical treatment. This study aims to identify and understand the representation of fraternal solidarity in the film Pertaruhan. It employs a descriptive qualitative approach utilizing Roland Barthes semiotic analysis method. The research data consist of scenes, dialogue, character expressions, and visual signs that embody the meaning of fraternal solidarity. Data collection was conducted through observation and documentation. The analysis involved identifying the denotative, connotative, and mythic meanings present in relevant scenes. Roland Barthes' semiotic theory was selected for its ability to reveal layered meanings through denotation, connotation, and myth thereby elucidating not only visually apparent meanings but also the symbolic significance and ideological values constructed within the film. The concept of solidarity in this study draws upon Émile Durkheim’s theory of social solidarity, which views solidarity as a social bond forged through a sense of togetherness, responsibility, and attachment among group members. The study concludes that the film Pertaruhan represents fraternal solidarity as a social force constructed through visual and verbal signs carrying denotative, connotative, and mythic meanings while simultaneously affirming the importance of care, responsibility, and sacrifice in family life. Keywords: Film, Fraternal Solidarity, Family, Roland Barthes Semiotics

Item Type: Thesis (Undergraduate)
Contributors:
ContributionContributorsNIDN/NIDKEmail
Thesis advisorZamzamy, AhmadNIDN0701128305ahmadzamzamy83@gmail.com
Subjects: H Social Sciences > H Social Sciences (General)
J Political Science > JA Political science (General)
Divisions: Faculty of Social and Political Sciences > Departement of Communication
Depositing User: Muhammad Zein Arya Rizaldi
Date Deposited: 31 Aug 2026 04:14
Last Modified: 31 Aug 2026 05:58
URI: https://repository.upnjatim.ac.id/id/eprint/59299

Actions (login required)

View Item View Item