Aulia, Disya Jasmine (2026) Analisis Resepsi Penonton terhadap Eldest Daughter Syndrome dalam Film Bila Esok Ibu Tiada. Undergraduate thesis, UPN VETERAN JAWA TIMUR.
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Abstract
The eldest daughter syndrome phenomenon refers to the experience of firstborn daughters who bear excessive emotional and social responsibilities within the family, often influenced by gender construction and patriarchal culture. This phenomenon is strongly represented through the character Ranika in the film Bila Esok Ibu Tiada (2024). This study aims to analyze audience reception of the eldest daughter syndrome portrayal in the film. The research employs a qualitative approach with reception analysis method based on Stuart Hall's encoding-decoding theory. Data were obtained through in-depth interviews with six female informants who are eldest daughters and have watched Bila Esok Ibu Tiada. The findings show that audience reception is divided into three meaning-making positions: dominant-hegemonic position, negotiated position, and oppositional position. Informants in the dominant position view Ranika as a realistic representation of eldest daughters trapped in unbalanced family demands and experience strong emotional validation of their personal experiences. In the negotiated position, viewers understand Ranika's burden but remain critical of excessive dramatization and emphasize the variability of experiences based on parenting styles and family economic conditions. Meanwhile, the oppositional position assesses that Ranika is not entirely a victim, but rather reproduces family conflict through authoritarian attitudes, and her responsibilities are more personal choices. These differences in reception positions are influenced by personal experiences, family communication patterns, socio-economic conditions, and cultural values received since childhood. The study also found that the film successfully functions as a consciousness-raising catalyst that encourages awareness changes regarding mental health, the importance of open communication in families, and the need for more equitable redistribution of responsibilities. Patriarchal cultural values and gender-based expectations are identified as structural roots of this phenomenon. This research affirms that films are not interpreted singularly, but rather actively negotiated by audiences. Thus, the film Bila Esok Ibu Tiada functions as a medium for social reflection on the role burden of eldest daughters in Indonesian families as well as a validation space for experiences that have been difficult to express. Keywords: Reception Analysis, Eldest Daughter Syndrome, Gender Construction
| Item Type: | Thesis (Undergraduate) | ||||||||
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| Subjects: | H Social Sciences > H Social Sciences (General) H Social Sciences > HQ The family. Marriage. Woman |
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| Divisions: | Faculty of Social and Political Sciences > Departement of Communication | ||||||||
| Depositing User: | Disya Jasmine Aulia | ||||||||
| Date Deposited: | 19 Jan 2026 03:23 | ||||||||
| Last Modified: | 19 Jan 2026 03:23 | ||||||||
| URI: | https://repository.upnjatim.ac.id/id/eprint/48801 |
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